Meant to link to this a while back: in the most recent Film Quarterly, a piece I wrote on Marco Ferreri's Dillinger is Dead (which is a terribly good movie) and more generally on flatness, fucking around in a cluttered bourgeois house, and what happens when the sun sets red and nothing changes. It's not up online, but it's a killer issue, with Joshua declaring the new cinematic world order, Nina taking on Vertov, Rob's necessary Editor's Notebook intro, and a White Ribbon double-header. Order.
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