Hybrid dreams


for B

The car sat along the grass, huddled, very fuel-efficient.  Through the double frame of an open window and an open door, it watched the backside of a screen.  It saw, in shaded verso, cast from a projector that would have thrown its cone of light straight into the dim headlights if not for the blockage of the screen, one of those ads in which the cars do nothing but drift all day, slung low and across the horizon skittering across the infinite crystalline dust of the salt flats. 

Ah, it said, turning over with a lubed cough, there really is too much friction in this world of ours.  To slide like a hot coffin on ice, boy, now that would really be something...
 

I don't know if that's optimism.


"However, it’s not impossible. The coming catastrophes are going to be gigantic—I read recently that the Indians are now building a wall between India and Bangladesh. They know that 100 million people are going to try to get into India just to live because of floods due to global warming and rising sea levels. So they are preparing to kill 100 million people. The American government is preparing militarily to prevent Mexicans from storming into the United States, as people starve in Mexico. So this is what the future holds. The existing situation is poised on an edge of catastrophe, which might take fifty years to unfold. At some point, people will have to deal with it. I don’t know if that’s optimism.

When I was younger, it seemed like it was about to happen: people in the streets, freedom, socialism—but it turns out that the human race is sluggish. The task is also scary. The army is big. Society is hard to understand, and no one really knows what’s going on. And it’s millions of people, and there’s religion, and there’s parents. I walk down the street, and I think, it’s just insane—don’t people know what’s happening? In 75 years this whole area is going to be under water, and they’re worrying about what kind of jeans they want to buy! It’s hard to imagine that what you experience right now is not going to be there in twenty years. During the First World War, it took until 1916 before the big demonstrations began in the cities of Germany. And it took another two years before people finally said, we’re not going to fight anymore. And that was rather mild—the First World War was nothing compared to the Second, and that was nothing compared to what’s coming now. Nearly 60 million died in the Second World War. Now we’re talking about hundreds of millions starving to death and drowning. So that’s why I’m not chipper about it. Socialism or barbarism, as Luxembourg said. Those are our two alternatives."

Paul Mattick

A Commodity Blaze in the Northern Sky

The eastern sky ablaze with chewing gum, the northern with toothbrushes and underwear, the western with whiskey, and the southern with petticoats, the whole heavens brilliant with monstrously flirtatious women.

(Walter Lippmann)

The result of sick industries, shall we say, for some long period of time



The Chairman: You don't know of any real displacement problems caused by automation, so far, do you?

Secretary Mitchell: Well, I do not, Mr Chairman.  We have, as I said, these pockets of unemployment, but those cities in which we have such problems have been the result of sick industries, shall we say, for some long period of time.  We have a chronic situation, which is not exclusively the result of technological change, or what might be called automation... Certainly, when you look at the high level of employment, and the relatively low level of unemployment nationally, it is difficult to comprehend how great dislocations could be laid at the door of automation.

US Secretary of Labor before the Congress Committee on automation, 1955

"Love" "story"





Present for comrades: North Korean Romantic Comedy




 A North Korean - that's right, North - romantic comedy meets socialist realist (in the Juche incarnation) film meets obsessive use of formal techniques common to radical cinema (jump cuts, for instance) meets workers fashion design and giving ducks a "sentimental education".  Aside from being a blast, it has remarkable montage: see here the sequence that elides/drives home the implied river sex scene by a transference to the point of view of another man onto a scene of women washing.

Moreover, it's striking insofar as it gives an occasion to watch the intersection of the Hollywood romantic comedy (in which one cannot be with a lover for reasons of "she likes spicy food and I do not"/"he is marrying my best friend"/"she is too eccentric"/"he's not the bad boy I thought I wanted"/"she is poor") with another mode, in which the reason you and your love can't be together is that it would represent a betrayal of the state.  The stakes of ideological treason and internal destruction of the communist project are slightly higher than those of potential infidelity or personality clash.  And so it turns out that the sharpest home of the romantic comedy may be further from capital than we expected, or at least in its Californian incarnation of blond people with the cash on hand to buy plane tickets at the last moment to skip the security measures (being not Arabic, they are not shot for this) to yell from the runway that it doesn't matter because it was you all along and I was just too stupid to realize that.

I give you Urban Girl Goes to Get Married, 1993.

To Have Done With Life: vitalism and antivitalism in contemporary philosophy _ zagreb, june 17-19, 2011



Two weeks from now, this will be happening.  It will be excellent.


TO HAVE DONE WITH LIFE?

“Life” is the site of a formidable lacuna. There is no firmly established scientific account
of its constitutive properties or the process of its genesis. There is no broad
philosophical consensus concerning the determination or extension of its concept. At
once the soul of self-evidence and the default of reason, the apparently immeasurable
disjunction between the life we live and the life we do not know continues to pose
intractable problems for experiment and reflection alike.

While one result of these difficulties has been a number of recent efforts to locate and
delineate their scientific and theoretical consequences, another has been a tendency to
take the conceptual underdetermination of “life” as an opportunity for its conceptual
overextension. Varieties of “vital materialism” prone to describing physical forces in
terms of an inherent “life of things” have done little to clarify the problematic nature of
the concept, and insofar as “life” functions as an empty signifier concealing an absence
of theoretical coherence we might be better to have done with it.

The effort of this three-day symposium will be to think through the problem of “life” and
the engagement with relations between science and philosophy such thinking demands.
What resources, if any, does the tradition of philosophical vitalism still have to offer in
addressing this problem? If “life” is in fact a non-concept, what theoretical
determinations might displace it? What are the stakes of the role this signifier has
played within the critique of political economy, and how can its conceptual determination
within the latter be sharpened? In what sense is “life” an aesthetic problem, and how
might art or literature condition our understanding of its parameters?

Between science, philosophy, art, and politics, what remains of the life we do not know
what it means to live?

Schedule

June 17 [Friday]
Morning Session
10:00-12:00  Stephanie Wakefield & Jason Smith
Afternoon Session
14:00 – 16:00 Nathan Brown & Alexi Kukuljevic
Evening Session
18:00 – 20:00  Evan Calder Williams & Benjamin Noys
June 18 [Saturday]
Afternoon Session
13:00 – 14:30  Martin Hägglund
15:00 – 16:30  Ray Brassier
Evening Session
19:00 – 21:00  Roundtable
June 19 [Sunday]
Afternoon Session
13:00 – 14:30  Adrian Johnston
15:00 – 16:30  Catherine Malabou
Evening Session
19:00 – 21:00  Roundtable


[I'll be speaking about meat on the hoof and meat off of it, what the "living" in "living labor" means, automation, rot, René Clair and the factory film, and more than a few other things.]
Correction to earlier piece:

the revenge of the equine is not a prospective phenomena in some coming bad years.  It is a long term reality.  For we have evidence of earlier sightings.

1897, New York World

We are now beginning to suspect that despite attempts to suppress the facts, when properly excavated, the 20th century reveals a hidden driver before the wheel, a bit knackered, but champing at the bit.

Camatte on Bordiga



Second thing to share and be spread wide: Camatte's introduction, in French, to a volume of Bordiga's writings.

Ne  pas  tenir  compte  de  cela  serait  trahir  la  passion  de  Bordiga  et  la nôtre  qui doit  obligatoirement  atteindre  son  but:: le  communisme...

Present for comrades, 1



I end up tracking down things in my "research" that deserve to be seen/read/heard much more widely.  Time to stop holding them close and start putting them up.  First, many of you have been wanting to see this, so here is La Classe Operaia Va in Paradiso (The Working Class Goes to Heaven), 1971, with English subtitles.  One of the greatest pieces of political cinema ever made.  I'd say enjoy, but that doesn't quite capture it.

That window.

Behind the toxic family relations, the psychedelia and patterning to come.  Amidst Sirk, a porthole to a future a decade ahead.

Continued existence as industrial accident



Coda to X:

"In regard to the reproduction phase (especially circulation time), note that use value itself places limits upon it.  Wheat must be reproduced in a year.  Perishable things like milk etc. must be reproduced more often.  Meat on the hoof does not need to reproduced quite so often, since the animal is alive and hence resists time; but slaughtered meat on the market has to be reproduced in the form of money in the very short time, or it rots."

To be alive - meat on the hoof, rather than just meat (in-itself, if you wish) - is to resist time.  To stave off reproduction, a reproduction that will liquify frozen form.

The question is if it will coalesce again.  For once slaughtered, the countdown begins: money or rot, money or rot...

Money being, of course, just a way to keep said meat animated after the fact, to recoup its loss and recuperate its supposed generative potential, via

1. The preservation of the meat: money exchanged for refrigeration, workers to make sure no one shoplifts a rack of beef, butchers to cut into smaller pieces
2. The monetary consumption of the meat: the cash exchanged before the point of no return (the "sell by date"), the meat as a vector or medium for other activities involving money (unwaged work of cooking, energy bought to grill it up)
3. [optional] The physical consumption of the meat: the caloric energy frozen in that meat is processed, albeit by an initial caloric expenditure of chewing and cutting, and thereby reproduces the potential labor-power of the eater.  If unused, it will gather in convenient storage units around the thighs and belly, ready for a Stakhanovite effort to come knocking.
4. [optional] The application of the meat: that caloric energy gets used by the one who ate it, thereby joining the ex-life of the meat with the life of the human "meat on the hoof" busy resisting time and rot.

The mode of the meat's destruction, though, is utterly irrelevant, provided that the first two conditions occur.  It's "supposed" to get plowed back into circulation not just as money but as caloric input into the reproduction of a body, preferably one that might do some work.  But it does not matter.  Only that it has been reproduced.  That is to say, utterly transformed.


It might seem, then, that "we" humans are the exception here, not only because we are the source of value.  Rather, because we are, in general, that whose reproduction requires a preservation of that existing thing in its distinct life and form (read: body able to sell labor-power, perhaps to actually expend some energy toward a hypothetically productive end, economic subject of getting paid, and point of transfer/proper name through which money flees back into the market).  Would that it were so.  Our reproduction, as subset of the circulation and accumulation of capital, cares not a whit about the preservation of these specific things, these individual bodies we are that sit and run, talk and read, drool and make seatbelts, these minds that come along with them, these persons we aim to be, these worlds that shatter into night when we die. 
 
No: what matters is only the perpetuation of these things in general.  That's the core of the difference between labor and labor-power: it is always a distinct I who does the laboring, however alienated that labor might be, but what is exchanged is labor-power as such, in a prescribed duration of time. 

[Note toward a longer study: We can actually gauge the strength of the historical workers movement, in its apexes and nadirs, by the degree to which it tried to insist on the inseparability of these two things, insisting that labor-power not be understood via a general calculation of the factory's total hours of surplus-labor but in terms of the concrete labor, and the conditions and length of the working days, of these specific laborers.]

But it always remains a real separation.  Unlike, say, a bandsaw in factory, which indeed aids in the circulation of capital.  Yet insofar as it is reproduced/maintained (with new parts, a bit of oil, with a mechanic's skill and time), it is in the name of this particular bandsaw continuing to work and do its job.  Because it has already been bought in full, it is in the interest of its owner that this very distinct instantiation of bandsaw keep functioning as long as it performs competitively.  It must, therefore, be cared for.  (From the general perspective of capital, though, the sooner it busts, the better: all the more bandsaws to be made, all the more labor to pour through the forges!)


Laborers: no, from either a local or system-wide perspective.  It is of no grand importance if a particular one breaks down, and it just slows down circulation to have to keep it running (via the insistence of political pressures to keep manufacturing at home, via the rarer insistence of other workers to strike if this busted one is not given a modicum of attention or remuneration).  Especially when there are new, cheaper models elsewhere.  What matters is the reproduction of labor-power in general, both in its local instance (the labor pool in a particular zone) and in its global scale (the hypothetically employable portion of the species).  So while it demands there be particular workers (obviously, there can be no such thing as labor-power, and hence no surplus labor, without laborers), it is opposed, violently, to them in their particularity. 

It would seem, then, that every step, hour, nickel, and dime toward the perpetuation of the species in general is a step further from that phantom X called "species-being," defined by Marx as that distinct mode of a "being that treats the species as its own essential being."  Perversely, however, the very concept of this assumed common ground, this milestone of how far we've gone down the road of alienation, perhaps mimics the exact relation between individual and species on which relations of value and production turn.  That is, a being not in accordance with a particular activity (whatever that may be: running, drinking, painting, building houses, murdering, learning physics) that may be at odds with the species as a whole, but rather with a general activity (abstract labor, however brutally real, localized, and experienced it is) dictated by, and dependent upon, an indifference to particular instantiations of the species.  In other words, dictated by the essence of the species beyond its existent forms.  Species-being, then, may be just the back-projection in which we can faintly glimpse what is materially the case now.
 

The reproduction of ourselves -  the reason (one can't live on antagonism alone) we all individually put up with all this as a class - is, it turns out, an accident of industry.  A by-product of the perpetuation of labor-power in general.  We throw ourselves headlong into that project, all in hopes of snatching a bit of the leftover, one piece at a time, with which to make a life, a family, a community, a site of other time.

Our labor, too, this shuddering drive, this life: it is the reproduction of slaughtered meat.  Yet without rotting, without transforming money itself: just making more than will rot, and more money that will not. 

Meanwhile, we turn down the heat, we breed in the freezers, we rattle the bones.  The impossible, vile gesture, nestled somewhere in the heart of the matter, the red matter of deciding to go on.

Melodrama . . . must reek with gore.



 
'Christopher Strong, writing in 1912, declared: “The paranoic who wrote the plays did so because he didn’t know Art from Hank; he did know that people like action, so he gave them more action(and of the same sort) than you would find in an asylum full of delirium tremens fiends and St. Vitus’s dance artists.” Melodrama’s classic iconography, as described by an essayist in 1908, included: “Trap-doors, bridges to be blown up, walls to be scaled, instruments of torture for the persecuted heroines, freight elevators to crush out the lives of the deserving characters, elevated trains to rush upon the prostrate forms of gagged and insensible girls.” A Harper’s Weekly essayist put it concisely in 1890: “Melodrama . . . must reek with gore.”'

--

while villains are strapped to switchboards and
light through the bodies the great white ways of cities

(That is, they become cinema.)

They hit themselves in the golden heads with golden hammers, and then it is time to take off your false faces


Madam Satan Cecil B. DeMille by NilbogLAND

Decadence may not be a correct economic theory, given the alarming lability of capital and the alarming capacity of humans to endure misery en masse.  It may be a flawed conception of history, too beholden to a sense of a direction and line of advance, a project that can go south.  It may be wishful thinking.

But still.  It exists, as real as carbon and abstractions.  And it sounds and shines like this.


How it is to be sound.  A rapture in reverse: the heavens fall toward the earth.  The angels still remaining - fewer, bedraggled - are justifiably nervous.  For Chicken Little has grown teeth, and they are waiting very eagerly for the point of impact.

Property is no longer theft, it is a fire made of meat not to be consumed by the poor


A woman arrested for theft for taking spoiling food thrown out by Tesco during a power outage.


After her arrest Hall said: "Tesco clearly did not want the food. They dumped it and rather than see it go to waste, I thought I could help feed me and my family for a week or two."

---


In the case of Hall and Tesco, the shop said the contents of the bin belonged to them.

Tesco, who send thousands of pounds of leftover meat to be burned for electricity, have said they work to "minimise waste and where possible will seek to reuse and recycle it".


Property is thicker than hunger.

And the material fact of having been discarded isn't enough, no.   

"One needs to intend to abandon it." 

It is owned straight through the process of decomposition, until the ham goes green and begins to liquify, until it pools in a fetid sludge at the bottom of the bin, seeping a bit out into the street. That is a content that still belongs, beyond any transformation of form, barring one: only exchange, an exchange between two parties, can affect this belonging.  For it cannot go unowned, even as it goes unvalued, as it goes wet and reeking.



No, there is a tie that binds beyond the binds of sarcomere, beyond the weave of myosin and actin, even as the meat is burned, not charred on a grill, not consumed in the furnace of a body, but burned plain and simple.  A caloric expenditure in the name of energy, true, yet without having to route back through living labor and all its complaints and requests, all its days and nights, just straight back into circulation.  Into the circuits that keep the lights burning white, to bathe the unbought meat as if in blue milk, waiting to be burned, never to be disowned.

After all, you don't miss your water until your well runs dry.  But you still own it, and all the more so when others lay hands and mouths on what must, out of spite, out of the stubborn rage of ownership, be left to evaporate, such that one can begin to stake claims in the clouds, in the air.  In the rain that cuts through that air and splatters what grows and dies below with a staining memory of mine.  It does not come out, not even in the rain.

Canine historical melodrama


In which a dog bears murderous witness and clears the name of a servant accused of the crimes of soldiers?  Yes.


eventually the higher audiences became interested in seeing what lower audiences had already discovered to be a good show...

Proximity

Arguably the perversity of the Internet is not what it contains.  Not in the least.  It's how it contains in proximity.  Such that an obituary -

and a correct, sad one, at that

- of Gil Scott-Heron, stands centimeters  -

although it is not even a marked distance, just an approximation of monitor size and data and how it is to lean

- from a review for a video game -

in which we learn that Punches and kicks are strikes, which take priority over throws. Throws take priority over holds, while holds overpower strike and overall it is given a B, which is to say a neuter, so no one will buy or not buy it more or less because of it, such that it need never have been written in the first place, although It’s a solid package all around, and one that has, for the most part, escaped the troubling sexism that defined earlier entries.  There’s no morality at work here

- and just millimeters from an ad that moves unbidden, in which a gorilla holds a shaving device, but it is not meant for him, it is meant for a man, or that thing they imagine to look like one, with a body all smooth and a face half gray and a big leaf covering where the legs meet -

and it is there that you are told to deforest yourself and, in so doing, to reforest the earth, and what does it mean, we bawl like Militina when he says and, and, and what the hell are these pieces we make? if we recognize even in a glancing blow that we exist in a situation in which market research has encouraged Norelco to increase sales by drawing a clear-cut  between not just shaving your testicles or purchasing a special electric razor to do that but playing a Flash game featuring a cut-rate Tarzan named Willy, such that you are shaving the foliage around a character who is supposed to stand in for a penis, yet who is himself a full human, such that there is an impossible transference of subtraction from landscape to crotch, between that playing and between them giving $0.25 to plant trees, without specifying where but with specifying only up to $75,000 -

and this, all this, is something over which our eyes flicker at least a dozen times a day.

All this.

How can that which we mean by care for one another not be a total abjuration of what is. 

And how can that mean more than a morality at work here.  For it means too much to be just or only that.

Under the foam paving stones, the foam beach


 Two related ideas for how to entertain ourselves.  To be played in city centers, preferably during marches.



1. Spanish Civil War LARPing
 [hopefully no one really wants to play an Alfonsist.  So we simply play CNT/FAI and imagine those not in the game to be the nationalists they are.  And we will be strict: there is only one Durruti per game, but it rotates.  Full dress is required.  Breaking character is not allowed.  Related games: Novemberrevolution, Paris Commune: The Return, Bologna '77]

2.  Nerf Molotovs
[Nerf paving stones also acceptable.  A technically legal volley ricochets off the banks, the jails, the stores.]







But like a snowball fight when there is ice at hand, you just never know.  You just never know, she said, laughing.