But negation is not always made of razor wire.

A long piece from me at The New Inquiry on cinema, counterfactuals, riot police whose throats remain intact, the limits of criticism and of the films critiqued, sword-forging, restoring old houses, forcing Wes Anderson to remake La Terra Trema in black-and-white with an all-Limp Bizkit soundtrack, pseudomorphism, and, above all, more compelling uses of teeth.

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